https://genevievedeleon.cargo.site Genevieve De Leon Tue, 04 Nov 2025 00:48:56 +0000 https://genevievedeleon.cargo.site en https://genevievedeleon.cargo.site/Front-page Thu, 10 Nov 2022 20:21:30 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Front-page <img width="4429" height="3512" width_o="4429" height_o="3512" data-src="https://freight.cargo.site/t/original/i/b617f5521744460f4bcf2a4b2c615a40c5d4aa889f3924af30f26c5b7d77a76d/GD-13.jpeg" data-mid="163662173" border="0" src="https://freight.cargo.site/w/1000/i/b617f5521744460f4bcf2a4b2c615a40c5d4aa889f3924af30f26c5b7d77a76d/GD-13.jpeg" /> https://genevievedeleon.cargo.site/Mobile-nav Thu, 10 Nov 2022 20:21:31 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Mobile-nav <img width="6054" height="4480" width_o="6054" height_o="4480" data-src="https://freight.cargo.site/t/original/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" data-mid="190249509" border="0" src="https://freight.cargo.site/w/1000/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" /> Selected work: Omens of an Indistinct Future Afterimages of History String Studies for a New Beginning Star Series Cien Malinches Notes toward Drawing a Brown Figure About https://genevievedeleon.cargo.site/Omens-of-an-Indistinct-Future Wed, 16 Oct 2024 16:16:07 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Omens-of-an-Indistinct-Future Omens of an Indistinct Future These drawings, covered in punctured openings, are based on maps of the constellations that Aztec emperor Moctezuma was reported in the Florentine Codex to have witnessed in the black crest of a crane-like bird as omens of the impending conquest. The drawings imagine obsidian mirrors to be the reflective lenses through which these constellations may have been studied. The notion of using obsidian to aid sky gazing allows Mesoamerican obsidian mirrors to assume their role as instruments of precise empirical observation. <img width="2000" height="1516" width_o="2000" height_o="1516" data-src="https://freight.cargo.site/t/original/i/fb24925e6787d772b6e57c63af6d5a63ad7fa08043bd8079304c768627c0e20a/MRG_2025_If_Stars_026_Genevieve-De-Leon.jpg" data-mid="240216704" border="0" src="https://freight.cargo.site/w/1000/i/fb24925e6787d772b6e57c63af6d5a63ad7fa08043bd8079304c768627c0e20a/MRG_2025_If_Stars_026_Genevieve-De-Leon.jpg" /> scrying redux series: omen of an indistinct future I,&nbsp;Photo: Rachel Topham Photography <img width="2000" height="1516" width_o="2000" height_o="1516" data-src="https://freight.cargo.site/t/original/i/fdda0047700dafc4aa2bc2fe922676cddb1e257dfeb71f075f9873f80f98bea5/MRG_2025_If_Stars_027_Genevieve-De-Leon.jpg" data-mid="240216705" border="0" src="https://freight.cargo.site/w/1000/i/fdda0047700dafc4aa2bc2fe922676cddb1e257dfeb71f075f9873f80f98bea5/MRG_2025_If_Stars_027_Genevieve-De-Leon.jpg" />scrying redux series: omen of an indistinct future II, Photo: Rachel Topham Photography <img width="2000" height="1519" width_o="2000" height_o="1519" data-src="https://freight.cargo.site/t/original/i/9db555f8a2c48cfcc943e2c3be49e4150a8655d09512b8bef843988f35097133/MRG_2025_If_Stars_028_Genevieve-De-Leon.jpg" data-mid="240216706" border="0" src="https://freight.cargo.site/w/1000/i/9db555f8a2c48cfcc943e2c3be49e4150a8655d09512b8bef843988f35097133/MRG_2025_If_Stars_028_Genevieve-De-Leon.jpg" /> scrying redux series: omen of an indistinct future III, Photo: Rachel Topham Photography Note: I became privy to the possible scientific use of obsidian by ancient peoples through the research of scholar Dr. Michael A. Rappenglück and his collaborator Josef Vit, who have generously been in correspondence with me. Their article “Looking Through a Telescope with an Obsidian Mirror: Would specialists of ancient cultures have been able to view the night sky using such an instrument?” in the Volume 16, No. 4 issue of Mediterranean Archaeology and Archaeometry (2016) can be found here. https://genevievedeleon.cargo.site/Afterimages-of-History Fri, 07 Feb 2025 13:58:03 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Afterimages-of-History Afterimages of HistoryI began copying images from Mayan and Aztec codices and lienzos dating to the time of colonial contact in order to reenter pictorial records of the conquest of Mesoamerica by Spanish conquistadors. &nbsp; For this series, I worked with images from two texts. The Tovar Codex is a 16th century Mexican manuscript attributed to Jesuit priest Juan de Tovar and featuring the work of Aztec painters. It narrates the history of the Aztecs to the fall of Tenochtitlan. The Codex Aubin is a pictorial history of the Mexican people dating to 1576, created by indigenous artists, that detailed their departure from Aztlán and subsequent colonial events. In working with these images, I experimented with the doubling or erasing of subject positions that have become fixed archetypes in discussions of rise and fall of the Aztec empire. Doubling and erasing archetypes – and swaths of the image&nbsp;– helped me to layer and expand the narrow significations we have received from those tellings of history. My work is inspired to the work of Ariella Azoulay’s book Potential History: Unlearning Imperialism, in which she explores “non-imperial exercises of time” that undo simple and reductive tellings of history and return them to spaces of opacity. Rendered opaque, these histories can be read anew for alternative through-lines – such as for histories of resistance, mutual aid, and revolutionary organizing that figured as prominently as betrayal and defeat in colonial contexts. Copying and altering images from Mesoamerica codices opened up a second sight of history for me – a questioning of received interpretations of these primary texts – and allowed me to posit the anticolonial struggle apparent in these codex images not as failed, but as ongoing. <img width="1541" height="2000" width_o="1541" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b30852a954acbeb11ad29b26365c5ca218d0c09faeeffa77a80483bcf0d80724/Genevieve-De-Leon-MRG-004.jpg" data-mid="226153684" border="0" src="https://freight.cargo.site/w/1000/i/b30852a954acbeb11ad29b26365c5ca218d0c09faeeffa77a80483bcf0d80724/Genevieve-De-Leon-MRG-004.jpg" /> afterimages of history series: tower of doubles II (Codex Aubin, leaf 41r), Photo: Rachel Topham Photography <img width="1540" height="2000" width_o="1540" height_o="2000" data-src="https://freight.cargo.site/t/original/i/502d7589c6a89150b9ec11a412cc3fc3000394e676e9cf4ad26d9338b6e635ce/Genevieve-De-Leon-MRG-005.jpg" data-mid="226153685" border="0" src="https://freight.cargo.site/w/1000/i/502d7589c6a89150b9ec11a412cc3fc3000394e676e9cf4ad26d9338b6e635ce/Genevieve-De-Leon-MRG-005.jpg" /> afterimages of history series: tower of doubles I (Codex Aubin, leaf 41r),&nbsp;Photo: Rachel Topham Photography <img width="1534" height="2000" width_o="1534" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3c73c66bac7ca7cfb0c3480ff9ba52cfb96ed92e857a9c9cc89ccaa29bc38896/Genevieve-De-Leon-MRG-006.jpg" data-mid="226153686" border="0" src="https://freight.cargo.site/w/1000/i/3c73c66bac7ca7cfb0c3480ff9ba52cfb96ed92e857a9c9cc89ccaa29bc38896/Genevieve-De-Leon-MRG-006.jpg" />afterimages of history series: an embattled march (“Guerra contia Cuyuacan”, Codex Tovar, p. 205),&nbsp;Photo: Rachel Topham Photography <img width="1492" height="2000" width_o="1492" height_o="2000" data-src="https://freight.cargo.site/t/original/i/25ae4dd97cff5f7855708c06922479100568f9f44ab56f6e82b12a1ce06863e1/Genevieve-De-Leon-MRG-007.jpg" data-mid="226153687" border="0" src="https://freight.cargo.site/w/1000/i/25ae4dd97cff5f7855708c06922479100568f9f44ab56f6e82b12a1ce06863e1/Genevieve-De-Leon-MRG-007.jpg" />ritual work across time (“Tula” and “Sacerdotes de los Idolos”, Codex Tovar, pp. 174 and 252),&nbsp;Photo: Rachel Topham Photography https://genevievedeleon.cargo.site/String-Studies-for-a-New-Beginning Tue, 04 Nov 2025 00:48:56 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/String-Studies-for-a-New-Beginning String Studies for a New Beginning According to the Florentine Codex, Montezuma received an omen of the arrival of the conquistadors before they landed. He saw this omen in the form of the Fire Drill constellation, visible not in a physical mirror but in the black circular crest of a supernatural crane-like bird.&nbsp;The three works that comprise the series Omens of an Indistinct Future re-stage that fateful moment from the Codex, with the insertion of mirrors used for doubling and reflection. Inspired by Ariella Azoulay’s book&nbsp;Potential History: Unlearning Imperialism, the three string study works below imagine Montezuma had seen other constellations and are intended to support the viewer in speculating about how a reframing of colonization as neither final nor total might open our understanding of the aftermath of that historical period, as well as of our present. <img width="2000" height="1520" width_o="2000" height_o="1520" data-src="https://freight.cargo.site/t/original/i/fd918570c90d927d9e5d929339b38ad463c6c3d80abdb7f3bb373da353a7ef9b/Genevieve-De-Leon-MRG-003.jpg" data-mid="240216800" border="0" src="https://freight.cargo.site/w/1000/i/fd918570c90d927d9e5d929339b38ad463c6c3d80abdb7f3bb373da353a7ef9b/Genevieve-De-Leon-MRG-003.jpg" /> string studies for a new beginning I (Black), Photo: Rachel Topham Photography <img width="2000" height="1520" width_o="2000" height_o="1520" data-src="https://freight.cargo.site/t/original/i/153d6f19d42306928a096454f458bbe0e83f0dc90921405dbf1d01e6bff22a9b/Genevieve-De-Leon-MRG-001.jpg" data-mid="240216797" border="0" src="https://freight.cargo.site/w/1000/i/153d6f19d42306928a096454f458bbe0e83f0dc90921405dbf1d01e6bff22a9b/Genevieve-De-Leon-MRG-001.jpg" /> string studies for a new beginning II (Half Right), Photo: Rachel Topham Photography <img width="2000" height="1520" width_o="2000" height_o="1520" data-src="https://freight.cargo.site/t/original/i/e75ad1e445dbdbc313e3222d99a9f50f52be1d1c32d5d9e12833bdc6ed591819/Genevieve-De-Leon-MRG-002.jpg" data-mid="240216798" border="0" src="https://freight.cargo.site/w/1000/i/e75ad1e445dbdbc313e3222d99a9f50f52be1d1c32d5d9e12833bdc6ed591819/Genevieve-De-Leon-MRG-002.jpg" />string studies for a new beginning IV (Scattered), Photo: Rachel Topham Photography https://genevievedeleon.cargo.site/Star-Series Sat, 03 Jun 2023 18:38:05 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Star-Series Star Series The Star Series paintings represent star maps of constellations that form portions of the zodiac kept by my teacher, Gina Kanbalam Miranda, a Maya daykeeper. Derived from gridded, data-rich images of the sky, each painting renders the celestial firmament, frame by frame. Each square, like a unit of time, operates as a fractal part of the whole and generates a visual field alive with interconnection.&nbsp; <img width="6054" height="4480" width_o="6054" height_o="4480" data-src="https://freight.cargo.site/t/original/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" data-mid="180895329" border="0" src="https://freight.cargo.site/w/1000/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" /> <img width="6000" height="4440" width_o="6000" height_o="4440" data-src="https://freight.cargo.site/t/original/i/4d026d42bcdee6a026a79d3bd23969531302c0f83ad1e9f262153ea0547f3b1e/Copy-of-Ahau-EDIT_Resizing-1.jpg" data-mid="187849207" border="0" src="https://freight.cargo.site/w/1000/i/4d026d42bcdee6a026a79d3bd23969531302c0f83ad1e9f262153ea0547f3b1e/Copy-of-Ahau-EDIT_Resizing-1.jpg" /> <img width="5178" height="4049" width_o="5178" height_o="4049" data-src="https://freight.cargo.site/t/original/i/6e98ae287ababb2da5b34fe6b649ea51ea7b23d34e67a2801632d65dbcb63718/Copy-of-Artist_In_Residence_Installation_5-EDIT.jpg" data-mid="180895331" border="0" src="https://freight.cargo.site/w/1000/i/6e98ae287ababb2da5b34fe6b649ea51ea7b23d34e67a2801632d65dbcb63718/Copy-of-Artist_In_Residence_Installation_5-EDIT.jpg" /> <img width="5785" height="4312" width_o="5785" height_o="4312" data-src="https://freight.cargo.site/t/original/i/1bb272daca8cd6e755bb65fec08a9ea3922d074705c31e88ba28e49b499d83fc/Copy-of-Artist_In_Residence_Installation_9-EDIT.jpg" data-mid="180895334" border="0" src="https://freight.cargo.site/w/1000/i/1bb272daca8cd6e755bb65fec08a9ea3922d074705c31e88ba28e49b499d83fc/Copy-of-Artist_In_Residence_Installation_9-EDIT.jpg" /> <img width="3000" height="2220" width_o="3000" height_o="2220" data-src="https://freight.cargo.site/t/original/i/8b18a4f3eec9324de46cb2642116f863f246e61a1fdc0d52f7c8ff100aae9a70/3_Ajmaq--Toj--Iq--Tzikin-by-Genevieve-de-Leon.jpg" data-mid="187849195" border="0" src="https://freight.cargo.site/w/1000/i/8b18a4f3eec9324de46cb2642116f863f246e61a1fdc0d52f7c8ff100aae9a70/3_Ajmaq--Toj--Iq--Tzikin-by-Genevieve-de-Leon.jpg" /> <img width="5271" height="4006" width_o="5271" height_o="4006" data-src="https://freight.cargo.site/t/original/i/83caa0e7b10913e60f29d1cac702ad9e5cf89e2575fbffaeae8a80c76701c9b2/Copy-of-Artist_In_Residence_Installation_7-EDIT.jpg" data-mid="180895332" border="0" src="https://freight.cargo.site/w/1000/i/83caa0e7b10913e60f29d1cac702ad9e5cf89e2575fbffaeae8a80c76701c9b2/Copy-of-Artist_In_Residence_Installation_7-EDIT.jpg" /> <img width="5749" height="4232" width_o="5749" height_o="4232" data-src="https://freight.cargo.site/t/original/i/e1ee4d76ba2358268f0d77cd676e3396bfb5ec035ba6e746d5664360ff5048a6/Copy-of-Artist_In_Residence_Installation_8-EDIT.jpg" data-mid="180895333" border="0" src="https://freight.cargo.site/w/1000/i/e1ee4d76ba2358268f0d77cd676e3396bfb5ec035ba6e746d5664360ff5048a6/Copy-of-Artist_In_Residence_Installation_8-EDIT.jpg" /> <img width="6066" height="4078" width_o="6066" height_o="4078" data-src="https://freight.cargo.site/t/original/i/d79430deb0268f2a6a04fe1e8ea870f7cd9cc13970ee65385c073bb3fd0025fc/Copy-of-Cosmic-Hearth-I_EDIT.jpg" data-mid="180895335" border="0" src="https://freight.cargo.site/w/1000/i/d79430deb0268f2a6a04fe1e8ea870f7cd9cc13970ee65385c073bb3fd0025fc/Copy-of-Cosmic-Hearth-I_EDIT.jpg" /> <img width="6240" height="4440" width_o="6240" height_o="4440" data-src="https://freight.cargo.site/t/original/i/4849dc00002c2a2b8c4578a72b593ee83932808849fc2f32a7fe12858f141a06/Copy-of-Artist_In_Residence_Installation_2-EDIT.jpg" data-mid="180895330" border="0" src="https://freight.cargo.site/w/1000/i/4849dc00002c2a2b8c4578a72b593ee83932808849fc2f32a7fe12858f141a06/Copy-of-Artist_In_Residence_Installation_2-EDIT.jpg" /> https://genevievedeleon.cargo.site/Cien-Malinches Thu, 10 Nov 2022 20:21:32 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Cien-Malinches Cien Malinches These drawings represent a selection from a series of erotic drawings depicting the sexual relations between the Spanish conquistador Hernán Cortés and la Malinche (also known as Malinal or Doña Marina), the indigenous woman who served as his translator and who mothered his son. Both a historical figure and cultural symbol, la Malinche is considered the prototypical “ethnic traitress” and the mother of all mestizos. As a Latina of mixed ethnicity, I regard la Malinche as a patron saint and a figure through which I can explore my relationship to whiteness and my sexual relationships with white men and women. These drawings allow la Malinche to take as many forms as there are understandings of her story. <img width="3380" height="2440" width_o="3380" height_o="2440" data-src="https://freight.cargo.site/t/original/i/c1aa24576994adebf3dec851e9d4caa20658ddf5fc531f638d6346f4cc5a7b9e/100malinche1_Rev-1.jpg" data-mid="160644862" border="0" src="https://freight.cargo.site/w/1000/i/c1aa24576994adebf3dec851e9d4caa20658ddf5fc531f638d6346f4cc5a7b9e/100malinche1_Rev-1.jpg" /> <img width="3368" height="2440" width_o="3368" height_o="2440" data-src="https://freight.cargo.site/t/original/i/884a647d74a523db6f9fa9e9cbf13d25a5f41d1673051c949aab93400f47e76c/100Malinche2_Rev.jpg" data-mid="160644865" border="0" src="https://freight.cargo.site/w/1000/i/884a647d74a523db6f9fa9e9cbf13d25a5f41d1673051c949aab93400f47e76c/100Malinche2_Rev.jpg" /> <img width="3374" height="2440" width_o="3374" height_o="2440" data-src="https://freight.cargo.site/t/original/i/b683ad6b2f2d26806fe71c0743bd987b9c891552fd21ea9db6d78455bbe2d2e1/100Malinche4_Rev.jpg" data-mid="160644869" border="0" src="https://freight.cargo.site/w/1000/i/b683ad6b2f2d26806fe71c0743bd987b9c891552fd21ea9db6d78455bbe2d2e1/100Malinche4_Rev.jpg" /> <img width="3375" height="2440" width_o="3375" height_o="2440" data-src="https://freight.cargo.site/t/original/i/0a3e8a8f52d184a774d8daa67bfca58195862db168d395b7941c4a5423a2800e/100Malinche3_Rev.jpg" data-mid="160644867" border="0" src="https://freight.cargo.site/w/1000/i/0a3e8a8f52d184a774d8daa67bfca58195862db168d395b7941c4a5423a2800e/100Malinche3_Rev.jpg" /> <img width="3377" height="2440" width_o="3377" height_o="2440" data-src="https://freight.cargo.site/t/original/i/74b4023fe4826a015f1e45599ff3e8ae5a87ba69d34695caf877526e16c72c5f/100Malinche5.jpg" data-mid="160644871" border="0" src="https://freight.cargo.site/w/1000/i/74b4023fe4826a015f1e45599ff3e8ae5a87ba69d34695caf877526e16c72c5f/100Malinche5.jpg" /> <img width="3371" height="2440" width_o="3371" height_o="2440" data-src="https://freight.cargo.site/t/original/i/2c657e75a17e50361412f9ae96de50bc0a1159057d81166d60a03bd66228c744/100Malinche6.jpg" data-mid="160644874" border="0" src="https://freight.cargo.site/w/1000/i/2c657e75a17e50361412f9ae96de50bc0a1159057d81166d60a03bd66228c744/100Malinche6.jpg" /> https://genevievedeleon.cargo.site/Notes-Toward-Drawing Thu, 10 Nov 2022 20:21:32 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Notes-Toward-Drawing Notes Toward Drawing a Brown Figure "Notes toward Drawing a Brown Figure" makes physical a reconsideration of my visual vocabulary. Having realized that I unconsciously draw figures whose skin tone is lighter than my own, I set out to retrain my hand and eye. Each note represents an attempt to draw a brown figure. Some are studies from photographs. Others are invented. The piece as a whole represents a self-determined ritual to end this intimate aspect of my internalized oppression. Pictured below are the three hundred and twenty notes, installed in the proportions of a Mayan ceremonial cloth, in the Minneapolis College of Art Design Gallery. <img width="5159" height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/f45ad38f5696262caa27c4a8efb75bba43ed5fb4d9df111bea5c5b022a957e7a/Scan-6.jpg" data-mid="163333007" border="0" src="https://freight.cargo.site/w/1000/i/f45ad38f5696262caa27c4a8efb75bba43ed5fb4d9df111bea5c5b022a957e7a/Scan-6.jpg" /> <img width="5159" height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/19127bf80b666e7377f33424037c6d9ec8aebe1368616c92e56f4fc3ccc1072c/Scan-7.jpg" data-mid="163333009" border="0" src="https://freight.cargo.site/w/1000/i/19127bf80b666e7377f33424037c6d9ec8aebe1368616c92e56f4fc3ccc1072c/Scan-7.jpg" /> <img width="5159" height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/1f25f7d2ee4585f5a8687d4622a861609f8e4e4f6b676b2854ece070f26b26a4/Scan-8.jpg" data-mid="163333010" border="0" src="https://freight.cargo.site/w/1000/i/1f25f7d2ee4585f5a8687d4622a861609f8e4e4f6b676b2854ece070f26b26a4/Scan-8.jpg" /> <img width="5159" height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/2718c6e209442f7098bb425b78aa8df442b8b4fd8a7e1c61e19ab726d8c25c6a/Scan-12.jpg" data-mid="163333014" border="0" src="https://freight.cargo.site/w/1000/i/2718c6e209442f7098bb425b78aa8df442b8b4fd8a7e1c61e19ab726d8c25c6a/Scan-12.jpg" /> <img width="5159" height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/a0ae26c00f0aa03de1dfccb05a5ecb822dcfce955f18e6833822499b3ab9dec2/Scan-13.jpg" data-mid="163333016" border="0" src="https://freight.cargo.site/w/1000/i/a0ae26c00f0aa03de1dfccb05a5ecb822dcfce955f18e6833822499b3ab9dec2/Scan-13.jpg" /> <img width="5159" 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height="3660" width_o="5159" height_o="3660" data-src="https://freight.cargo.site/t/original/i/7b67ff295b911b91a97f6df8461744ad96284d290ae18034d9c648841a335262/Scan-34.jpg" data-mid="163333053" border="0" src="https://freight.cargo.site/w/1000/i/7b67ff295b911b91a97f6df8461744ad96284d290ae18034d9c648841a335262/Scan-34.jpg" /> <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/da924e40bd7962d6effb2147bd599d0da489224903952905d3e9612fbabd02bb/20180907_faculty_biennial_exhibition_reception_D5A6054-1.jpg" data-mid="160645872" border="0" src="https://freight.cargo.site/w/1000/i/da924e40bd7962d6effb2147bd599d0da489224903952905d3e9612fbabd02bb/20180907_faculty_biennial_exhibition_reception_D5A6054-1.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/66ed628f52ffe130d827ad4937c7d9ea81bd4062a1b50ed215eb75b843762c02/20180907_faculty_biennial_exhibition_reception_Gasterland-Gustafsson_Gretchen_DeLeon_Genevieve_Monick-Isenberg_Lynda_D5A7544.jpg" data-mid="160645876" border="0" src="https://freight.cargo.site/w/1000/i/66ed628f52ffe130d827ad4937c7d9ea81bd4062a1b50ed215eb75b843762c02/20180907_faculty_biennial_exhibition_reception_Gasterland-Gustafsson_Gretchen_DeLeon_Genevieve_Monick-Isenberg_Lynda_D5A7544.jpg" /> <img width="2550" height="2220" width_o="2550" height_o="2220" data-src="https://freight.cargo.site/t/original/i/adf7b12fa5e70e904a8f952c25113e16f78b49f392cc942824e99c3bfcae81f6/7.jpg" data-mid="160645972" border="0" src="https://freight.cargo.site/w/1000/i/adf7b12fa5e70e904a8f952c25113e16f78b49f392cc942824e99c3bfcae81f6/7.jpg" /> https://genevievedeleon.cargo.site/About Thu, 10 Nov 2022 21:06:34 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/About Biographical NoteGenevieve De Leon is an artist and writer currently residing in Alfred, New York. She served as the 2022-2023 Georgette and Richard Koopman Distinguished Chair in the Visual Arts at the Hartford Art School (West Hartford, Connecticut). She is an Assistant Professor at Emily Carr University of Art + Design (Vancouver, Canada). https://genevievedeleon.cargo.site/Landing-Page Thu, 10 Nov 2022 20:21:31 +0000 Genevieve De Leon https://genevievedeleon.cargo.site/Landing-Page <img width="6054" height="4480" width_o="6054" height_o="4480" data-src="https://freight.cargo.site/t/original/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" data-mid="188036991" border="0" src="https://freight.cargo.site/w/1000/i/8843759e1a23187b5197fb66fbd3e3e61b05fa10f44f464d736344f7c45ddb0c/Chuen--Kan--Caban-EDIT.jpg" />